Chango Man

Having a Friday off allowed me to stay up late on a school night and finally catch Chango Man at the Houston Continental Club on Thursday after Beetle.

I’d heard good things about Chango Man, mostly from the members of Chango Man but still, I wanted to check them out. Described as America Cumbia music it is a fantastic blend of Latin sounds that really sounds great. As front man El Fausto (Tino) Jackson likes to say: [paraphrasing] “There’s no reason Latin music can’t rock” and rock it does. It was a great show and definitely worth the time to go see.

Tino is great front man. I’ve seen him play with Beetle and Disco Expressions but when he is out front and taking charge is when he seems to be at his finest.

Additional photos in the Chango Man Gallery

BUG

We went for a walk on Saturday down by the bayou just to get out and get a little excercise. Of course I had the camera in tow. Not a lot of photo opportunities, but Cynthia spotted this guy on a flower no bigger than a pinky fingernail. I’m stiff today from squatting down and trying to hold the camera still as the wind blew my subject to and fro.

It looks very much like a Crane Fly (aka Mosquito Hawk) which we see all the time in and around the house. But this guy is much smaller and has a probiscus rather than mandibles. My guess is he’s either a juvenile Elephant Mosquito or just a plane old male mosquito.

This pic remonds me of the album cover of Jeff Wayne’s Musical Version of The War of The Worlds

On a side note, there’s a 30th anniversary tour in the works which (sadly) doesn’t look like it will make it here to the U.S.

This shot was done with a flash from above.

Zappa – Them Or Us Tour 1984

Back in the 80’s, my brother John gave me a Yashica camera which was the first 35mm camera I ever used. I don’t remember the model or the specs, but it was pretty basic as I recall.

Zappa was coming through Houston in 1984 on his Them Or Us Tour and I wanted to get some pics. I knew I would have to smuggle the camera in and that meant flash photography was not an option. John told me about a technique called Push & Pull Processing where you increase the ISO setting on the camera to underexpose the film and then compensated for this in the darkroom. This would allow me to shoot without a flash and hopefully get something usable from the experience.

I had 7th row tickets to this show so a flash might have been helpful, but would certainly draw attention to what I was doing so I decided to shoot using this method.

Now back in the day security at concerts wasn’t all that secure. Still, if you had a camera bag you could get turned away at the door. And even if you did get the camera in the door, if security caught you shooting pics at a major show they wouldn’t take your camera, they would just take your film, usually pulling it from the camera or canister. I’d seen photographers lose a night’s work this way on several occasions.

With this in mind I felt confident my camera was not at risk, but I wanted to make sure I could pull off my plan and walk away at the end of the show with some photos.

I’d seen Zappa before. It was 1981 at The Fox Theater in San Diego. I noted that many of the fans came to the show dressed up in various costumes. I decided I would attend this concert dressed as a Sheik (a la Sheik Yerbouti). I could hide the camera gear in the folds of my robes and hopefully skirt security.

The plan worked better than I could have hoped. Concert security stood practically next to me during most of the show. They either thought I was supposed to be there, or decided that a guy who was dressed in such an attention grabbing manner could be ignored while they scanned the audience for real trouble. I was able to pull out the camera and shoot uninterrupted for the duration of the show.

The results were “so so” but I was happy enough with the results considering this was my first effort.

1984 Them Or Us Tour
Sam Houston Coliseum

Frank Zappa: guitar, vocals
Ray White: guitar, vocals
Ike Willis: guitar, vocals
Robert Martin: keyboards, tenor saxophone, French horn, vocals
Scott Thunes: bass
Alan Zavod: keyboards
Chad Wackerman: drums

House Of Blues Grand Opening

The grand opening of the Houston House Of Blues was quite the event. They had the street blocked off to traffic as spotlights lit the Houston sky. The line of invited guests circled the block, waiting to get into the event.

the evening began with a performance by Wanda King which was followed by a choral peformance by a choir based out of New Orleans. Then Deb Eybers, president of The House Of Blues came out and toasted Houston as the latest member of the House Of Blues family.

The crowd was pretty worked up and ready when The Blues Brothers hit the stage. Jim Belushi did a fine job in his role and was not a distraction in the least.

The rest of my pictures from the evening are here.