Today we bid farewell to Rotorua and all of its burbling, steaming oddness and made our way to Tongariro. Fortunately, I had my trusty co-pilots and navigators with me.
As you can imagine, the drive was amazing. We were blessed with more sunshine so everything looked fantastic.
We stopped and Huka Falls which is easily accessible from the main road. These falls are a spectacular blue color and very fast moving.
After only a few hours we reached our accommodations at Tongariro National Park. We arrived a bit early so we were unable to check in right away. This afforded us the opportunity to go see the Tawhai Falls which were only a 20 minute trek off the highway. I carried my tripod and filters to take some long exposure shots of the falls.
We got ourselves checked into the hotel and found we had the most spectacular view of Mount Ngauruhoe, the mountain that was used for Mount Doom in the Lord Of The Rings movies.
Tonight we had dinner and are taking it easy as we prepare to drive to Wellington and on from there to the south island.
At first glance this is just a small rectangular plate, about 13 x 8 cm, covered with dense scribbles, with seven pointers fixed to its frame. Then you realize that the pointers are not fixed, but can slide on the frame… and then you note that they are somehow interconnected — moving any of the small ones will move the larger one this way or that. Strange. But when you see the diagram of the inner mechanism you realize what this is, and it can take your breath away. Kaufmann’s Posographe is nothing less than an analog mechanical computer for calculating six-variable functions. Specifically, it computes the exposure time (Temps de Pose) for taking photographs indoors or out (depending on which side you use). The input variables are set up on the six small pointers; the large pointer then gives you the correct time. The variables are very detailed, yet endearingly colloquial. For outdoors, they include the setting — with values like “Snowy scene”, “Greenery with expanse of water”, or “Very narrow old street”; the state of the sky — including “Cloudy and somber”, “Blue with white clouds”, or “Purest blue”; The month of the year and hour of the day; the illumination of the subject; and of course the aperture (f-number). For indoor photos, we have the colors of the walls and floor; the location of the subject relative to the windows (depending also on the number of windows, and indicated by the little diagrams); the extent of sky in the window, as seen from the location of the subject (again illustrated in little pictures); the sunlight level outside, and how much of it, if any, enters the room; and the aperture. The output indicator actually has four points, designed to show the respective exposure times for different emulsion types.
